Actor
SAG-AFTRA • AEA
Selected Credits
Film & TV
| THE ONION NEWS NETWORK (Sheila, “Hater Face”) | IFC; Will Graham |
| THE THING ABOUT MY FOLKS (Secretary) | New Line Cinema; Raymond De Felitta |
| TRAITOR IN MY HOUSE (Sarah) | PBS Wonderworks; Nell Cox |
| TALES FROM THE DARKSIDE (Bessie) | CBS; Bob Balaban |
| ALL MY CHILDREN (Bonnie) | ABC |
| Numerous commercials and industrials. |
New Media
| GEMMA & THE BEAR! (Gemma) | webseries (YouTube); Matt Scott |
| BECKYS THROUGH HISTORY (Various) | Digital Series; Jessica Daniels |
| AUDIOBOOKS - NUMEROUS | Recorded Books; Audible |
Theater Credits
| NIGHT OF THE LIVING N-WORD (Barbra) | FringeNYC; Nicole Watson | FLYING SNAKES IN 3-D (Roxy) | ETG; Leah Winkler |
| 365 DAYS/365 PLAYS (Various) | The Public Theater/NYNF |
| THE MIRACLE WORKER (Helen) | The Roundabout Theater; Vivian Matalon |
| LAIKA DOG IN SPACE (Laika/Scientist) | Ontological Theater; Dave Dalton |
| DIA DE LOS MUERTOS (Bridget) | Teatro La Tea; Alberto Bonilla |
| (NOT) JUST A DAY LIKE ANY OTHER (Lead/Ensemble) | New York Neo-Futurists |
| MANY ‘CIDES (Cassandra) | Prospect Theater Company; Sarah Gurfield |
| COCKFIGHTERS (Shirley) | Oberon Theater Company; Sarah Gurfield |
| THE INCREDIBLE AND SAD STORY… (Widow Dolack) | Raw Impressions; Davis McCallum |
Featured Training
| VASSAR COLLEGE | BA, Drama & History |
| Josh Pais | Committed Impulse |
| Roz Coleman | Audition & On-Camera Technique |
| Heidi Marshal | TV/Film |
| David Perry | Wynn Handman Studio (Meisner) |
| Chelsea Clarke; Brandon Gardner | UCB |
| SITI Company | Suzuki & Viewpoints |
| Sarah Pillow | Singing |